IMAGE OF EARTH AND QUILL

Guest Poet Paula Grenside



           Whole Day's Mirror

                      In the morning
                      the young woman licks
                      sleep away from plum lips,
                      the tip of her tongue
                      crawls the contours
                      of a smile
                      reflected in
                      smooth mirror -

                      In the afternoon
                      she brushes a shadow 
                      of powder glow on cheekbones,
                      with sharpened lip liner
                      she curves up
                      mouth corners
                      in a smile flaming
                      sun- flooded mirror.

                      In the evening
                      the woman artfully combs
                      curls on the temples to frame
                      mascara-thick lashes,
                      adds two strata 
                      of peach lipstick,
                      dare not smile
                      for fear the mirror cracks.

                      At night
                      she squints at her face,
                      finds make-up fusses all details
                      in clownish distortions.
                      She washes the mask away,
                      nibbles pale lips,
                      smiles acceptance
                      at quicksilver wrinkles
                      in the mirror -


October, 2000


Paula Grenside's Questions:

The poem aims at showing how hard it is to accept ageing and the continuous effort to mask age signs, deceive oneself. The subject is  -She-, but   I would like to know whether male readers too recognize themselves in it.

Does the mirror, present in all stanzas, acquires the symbolic meaning I mean to attach to it?

Thank you.







Small Dialogue


You know, dreams do not exist, he told her. 
Yes, I do, now that I see the bed, a savage 
beast that strops its teeth on sleep 
as nails carve names on sheets - 

You know, death does not exist - he added. 
Yes, I do, now that I am dead. My gowns are 
in the drawers; I only miss the scent of the late 
rose you pin on the lace at night, she whispered.

You know, love does... - He paused and stared
at the sky's hem slipping off the window.


October, 2000


Paula Grenside's Questions:

Does the poem sound incomplete?

-Would it help add a further stanza, or does the suspended statement work better as the reader can infer and does not find the obvious patter he expects?

- What emotions, if any, does the poem evoke?






The Albany Poetry Workshop